No wise fish would go anywhere without a porpoise.
Mock Turtle – Alice in Wonderland
No wise fish would go anywhere without a porpoise.
Mock Turtle – Alice in Wonderland
I don’t know if I’m just cheap, overly anxious, and/or environmentally aware; but an ATM spilling out loads of cold, hard cash seems like way too much trouble for what it’s worth… which, going off the clip for Anderson .Paak’s latest track looks like a coupla’ cheeky mil. Side note, how many wads does a real-life cash machine actually hold?
Absurd cash wastage aside, the Calmatic-directed clip for .Paak’s fresh track ‘Bubblin’ is a playful take on the usual RnB/Hip Hop ‘boats n hoes’ motif. Anderson, burdened with a spewing ATM, takes the fast track to the high life – living large in dapper suits, gold chains and extravagant furs. And you know you’ve made it big when you’re rapping beside a zebra, right?
‘Bubblin’ illustrates excess on street level; blending the spoils of the high life, with what I’m sure is a basic human instinct to reap the bennys of the burden of a sudden and unexpected cash flow.
Tbqh, I hadn’t really heard of Anderson until FKA Twigs shimmied down to ‘Til It’s Over’ in the Spike Jonze-directed HomePod video for Apple. But having read up on the guy, it seems his new ‘Bubblin’ lifestyle is well-deserved. The trap/hop fusion puts the kibosh on .Paak’s days bagging groceries and ‘pushin’ them carts’ to which he alluded in his 2017 collab track with Knxwledge, ‘Get Bigger’. ‘Bubblin’ is a swirling hot pot of .Paak’s cheeky lyrics,
‘Im’ma need all the fries you can gimme / All the hot sauce, all the pie you can gimme’
(my dream diet, just quietly) ladled over a steady bassladen beat and some seriously frenetic string synths. There is a hell of a lot happening in this track, but my ears are drinking up what .Paak’s pouring.
Take a dip in the evergreen pond that is Anderson.paak’s ‘Bubblin’ below, and get your greedy mitts on the track here.
Well, do you need a lot of what you’ve got to survive?
Modest Mouse – Teeth Like God’s Shoeshine
I watch Jane The Virgin. There, I said it! And I tell you what, the past few years have been absolutely exhausting living this lie, desperately attempting to hide my love for a show my partner labelled ‘absolute trash’. But perhaps out of sheer exasperation for its endless and erratic plot twists – partnered with the fact that I DON’T HAVE A SOUL TO DISCUSS THIS WITH – I feel it is my civic duty to persuade as many folks as possible to jump aboard the JTV train, like some kind of telenovela-hustling Jehovah’s Witness.
Do you have a moment to talk about our lord and saviour, Jane Villanueva?
me, to anyone that will listen
Firstly, I’d like to kick things off by stating that Jane The Virgin is currently rated at 7.8/10 on IMDb, and 100% on Rotten Tomatoes. So, cart me off to the colonies if you so wish – just know that there are other souls out there that devour this drama too, so much so they feel the need to rate it online.
Look, I’ll reason with you… I can’t remember why I pressed play in the first place. Maybe I was all Game of Thrones‘d out and was looking for something light-hearted? Regardless, I was hooked from the get-go.
I think, above all – minus the kitschy narration, and very cheesily animated figments of Jane’s imagination – JTV rather candidly depicts real life. Sure, not a lot of people are accidentally artificially inseminated by their boss, of whom is being investigated in connection to a huge criminal syndicate. But it’s not the major plot lines that I’m talking about! It’s the minor themes that are woven between that lend a pinch of gravity to the characteristic over-dramatisation of the telenovela genre.
Take Jane for instance: she’s a budding novelist, brought up under both the semi-strict catholic regime of her Abuela and the casual-rearing of her single, and mostly scantily-clad mother. All of her conceptions re: romance have been ripped from episodes of her favourite telenovela, The Passions of Santos. And I dunno, you may have guessed from the title, but she’s a virgin – shock horror!
Jane’s life is very hastily T-boned after she goes in for a standard smear and is accidentally artificially inseminated by her heartbroken/alcoholic/heavily distracted doctor… who just happens to be the sister of her traditionally handsome, resort tycoon of a boss. Cue a whole lot of awkward conversations, relationship turmoil and allegations of immaculate conception. It’s the perfect catalyst to kick off a show ironically taking on the telenovela trope.
But far from being a mere source of light-hearted entertainment, JTV battles issues across all fronts. From delving into the obvious themes of religion (both in support, and against), sex and heartbreak; to exploring the reality of different child-rearing approaches, and dating as a single parent or grandparent. Through Jane herself, we explore the v real life pressure of trying to navigate your passion and balance a career. Ok, that last point might just explain my unprecedented passion for this series.
Perhaps the most blatant theme is the Villanueva family’s rich Venezuelan-Mexican culture. Jane’s Abuela, Alba, speaks almost exclusively in Spanish – which, side bar: has been mildly educational for this gal trying to learn Spanish on/off for the past five years. One of the most serious plots, though, is Alba’s fear of being caught undocumented in the US – which understandably became a pinnacle theme in light of America’s current political landscape.
Jane The Virgin also explores LGBT relationships – most admirably without any dramatic “coming out” scenes. Characters are portrayed realistically, and even if they’re not depicted in the best light (or in one that differs from our own beliefs) it’s done with class and empathy.
Well, I mean, there are some pretty heavy anti-Trump references in the fourth season – but I challenge you to name another show that hasn’t done the same in the past two years.
Whilst Jane Villanueva (Gina Rodriguez) is the star of the show, it’s pretty fucking hard to miss saucy Passions of Santos star Rogelio De La Vega (played by Jaime Camil). This guy is so damn extra, and so mind-numbingly imperceptive at times that you want to dress him head-to-toe in peach, but every tiny detail just lends to his dramatic essence. This exuberant character is so well-crafted, and I gotta admit – nine times outta ten it’s Rogelio’s lines that have me in stitches.
I’m bloody bursting at the seams to write about this series in greater detail, but it wouldn’t be fun for first-time viewers without the plot twists and cliffhangers. Call it trash, even laugh at the OTT narration – but Jane The Virgin is well worth your time. And I’m sorry, but if there is anyone out there that can withstand Gina Rodriguez’s wit and charm then they’re simply inhuman and there is no pleasing them.
Undercover JTV fans please slide in my DMs, I desperately need to talk about the season 4 cliffhanger.
You are blind to reality, and for that I am most proud.
Moira Rose – Schitt’s Creek
Two People, who? Let me catch you up, friends. Joseph Clough and Phoebe Lou (rhyme unintended), have risen from the ashes of the v v unfortunate dissolution of Melbourne’s ever-dreamy Snakadaktal to bring us another wildly talented musical venture. The pair have spent the last two years curating their forthcoming LP, and have now unveiled their lead single ‘I’m Tied To You’.
Moving on from a minor wig-out that it’s been five years since Sleep in the Water (what the f have I been doing with my life), this track presents a bit of a darker and more synth-laden sound than you’d expect from the guys behind 2013 hits ‘Fall Underneath’ and ‘The Sun II’.
‘I’m Tied To You’ was mixed by Scottish producer Rodaidh McDonald – known for his work with the xx, King Krule, Adele and Sampha. After hearing this track, the dude offered to mix their entire LP – so you know we’ve got a doozy heading our way.
As with any emotional song title, you’d probably be forgiven for thinking this swirling and somewhat urgent track was a lovelorn ode; but you’d be mistaken. According to Phoebe,
‘The words are written about being tied to yourself. There is a fragility and frustrated loneliness in that. It’s a kind of dialogue. Here, the ‘you’ is myself.’
What’s more, the ‘sax’ you can hear weaving in and out of this brooding rave was recorded through their guitar amp and pedals.
‘Joey was improvising in the final stages of production and the room sounded like a big dark cave… we used that initial recording on the album, if you listen closely you might hear us yelling wildly and moving around the room’.
And because I love to be the bearer of more good news, Two People have also confirmed they’ll be taking the stage at Splendour in the Grass in July. So for those out there with lightning fast reflexes/ were lucky enough to snatch up tickets, get your ears primed for a ‘flowing set that exaggerates sound, moment and feeling’. Let’s hear it for Aussie Music, huh?
After a litany of lush reviews from the expert ears in the biz, I wanna hear your thoughts on Two People‘s exquisite lead single. Listen below, and get your filthy mitts on the track here.
I believed that stories helped us to ennoble ourselves, to fix what was broken in us, and to help us become the people we dreamed of being. Lies that told a deeper truth.
Dr. Robert Ford – Westworld